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现相/NOW

2017/思考的是当下泛娱乐化背后的社会化问题 作品系列原意反应网络社会及泛娱乐对人本的影响。长腿猪意为愚钝, 留白的造型以是匹双眼模糊的独角兽,意为“慧”“灵性”“自由”已被遮蔽和遗忘。 过度的泛娱乐社会风气影响下,人不再勤于思考,变得愚钝, 背负着——“痴”的欲望,忘却了“慧”的本能, 享乐是生物的本能、思考是为人的本能,若不再思考就与动物无差异。 三幅画也分别以泛娱乐化综艺、流量明星以及部分网红主播作为对象。 并获得2017 GDC 平面设计在中国 优异奖 入围Hiii illustration 2018、2018澳門設計大獎、 获得2017 Platinum白金创意奖、获得2018 CGDA Illustration 优秀奖

poeple are no longer thinking and became dull with "crazy" desire, forgetting the "wisdom" of instinct. As pleasure is the biological instinct, while thinking is a human instinct. Therefore, when poeple are no longer thinking, we have no difference with animals. The three paintings describe excessive pan-entertainment, fan-based idols, and some cewebrities respectively. the drooping tail and the human face represent the lost and pathosis of the whole society and people influenced by excessive pan-entertainment. The three paintings are also targeted at variety show, social media star and some Internet celebrity.